{"id":1913,"date":"1994-01-01T12:33:08","date_gmt":"1994-01-01T10:33:08","guid":{"rendered":"http:\/\/peyamigurel.com\/?p=1913"},"modified":"2017-01-21T10:22:18","modified_gmt":"2017-01-21T08:22:18","slug":"guzelligin-pesindeki-musluman-baki-kosar-akis-dergisi-1994","status":"publish","type":"post","link":"https:\/\/peyamigurel.com\/index.php\/guzelligin-pesindeki-musluman-baki-kosar-akis-dergisi-1994\/","title":{"rendered":"G\u00fczelli\u011fin Pe\u015findeki M\u00fcsl\u00fcman"},"content":{"rendered":"

G\u00fczelli\u011fin Pe\u015findeki M\u00fcsl\u00fcman<\/strong><\/p>\n

– – – – – –<\/p>\n

Masas\u0131n\u0131n \u00fczerindeki Gauloises marka sigara paketinden hemen hemen aral\u0131ks\u0131z denebilecek bi\u00e7imde, s\u00fcrekli olarak sigara \u00e7ekip yak\u0131yor. Sakall\u0131, ama al\u0131\u015f\u0131lm\u0131\u015f, basmakal\u0131p fanatik \u0130slamc\u0131 sakal\u0131 de\u011fil bu kesinlikle; sanat\u00e7\u0131 sakal\u0131. B\u00f6ylece belki iki i\u015flevi ayn\u0131 anda yerine getiriyor; hem bir S\u00fcnnet\u2019i uygulam\u0131\u015f oluyor hem de estetik bir r\u00f6tu\u015fu…<\/p>\n

Fonda klasik T\u00fcrk Sanat Musikisi var. Dinlendirici, ortama son derece uygun, ho\u015f… Ama m\u00fczikte tercihi sadece bu de\u011fil ku\u015fkusuz: \u201cVivaldi\u2019ye bay\u0131l\u0131yorum. Pink Floyd\u2019u da \u00e7ok severim.\u201d Masas\u0131n\u0131n arkas\u0131nda bulunan dolab\u0131n g\u00f6zlerinden birini a\u00e7\u0131p bize ger\u00e7ekten sa\u011flam bir m\u00fczik ar\u015fivi g\u00f6steriyor; Vivaldi, \u00c7aykovski, Baez… Yani karma bir m\u00fczik ar\u015fivi bu ama aralar\u0131ndaki eski ve \u015fimdi ender bulunabilen materyaller kolayl\u0131kla k\u00fc\u00e7\u00fck bir servete e\u015fde\u011fer.<\/p>\n

Peyami G\u00fcrel, inanan, daha genel bir deyi\u015fle \u0130slamc\u0131 bir entelekt\u00fcel. \u201c\u0130slamc\u0131 entelekt\u00fcel\u201d tan\u0131m\u0131na pek s\u0131cak bakm\u0131yor ama; \u201c\u0130slamc\u0131 ayd\u0131n, \u0130slamc\u0131 entelekt\u00fcel diye bir \u015fey olmaz. Entelekt\u00fcel, entelekt\u00fceldir, ayd\u0131n, ayd\u0131nd\u0131r.\u201d diyor.<\/p>\n

Resim ve \u0130slam<\/strong><\/p>\n

\u00c7ok direkt bir soru y\u00f6neltiyoruz o zaman: \u201cPeki, \u015fimdi inanan bir insan de\u011fil misiniz? Yani siz, M\u00fcsl\u00fcman de\u011fil misiniz?\u201d<\/p>\n

\u201cElhamd\u00fclillah,\u201d diyor, \u201ctabii ki M\u00fcsl\u00fcman\u0131m, tabii ki inan\u0131yorum…\u201d Bu noktada sormaya can att\u0131\u011f\u0131m\u0131z sorumuzu soruyoruz hemen: \u201c\u00d6teden beri resim ve \u0130slam kavramlar\u0131 birbirleriyle asla bar\u0131\u015f\u0131k olmayan kavramlar olarak al\u0131nd\u0131 \u0130slami kesimde ve M\u00fcsl\u00fcmanlar, resim sanat\u0131n\u0131n \u0130slam\u2019da yasak oldu\u011funu vurgulay\u0131p durdular. Bu tart\u0131\u015fma halen s\u00fcr\u00fcyor eskisi kadar \u00e7ok geni\u015f ve b\u00fcy\u00fck olmasa da… Durum buyken siz, bir M\u00fcsl\u00fcman olarak sadece resim yapmakla kalmam\u0131\u015f, bir de resim galerisi a\u00e7m\u0131\u015fs\u0131n\u0131z. Siz bu sorunsal\u0131 nas\u0131l form\u00fcle ettiniz kafan\u0131zda?\u201d<\/p>\n

\u0130nce \u00e7er\u00e7eveli g\u00f6zl\u00fckleriyle oynayarak g\u00fcl\u00fcms\u00fcyor hafif\u00e7e. Bu tavr\u0131yla kendinden son derece emin oldu\u011fu izlenimi uyand\u0131r\u0131yor.<\/p>\n

\u201cBak\u0131n\u201d diyor, \u201csiz \u0130slam\u2019la resmin, resim sanat\u0131n\u0131n birbirleriyle bar\u0131\u015f\u0131k olmad\u0131\u011f\u0131n\u0131 nereden \u00e7\u0131kar\u0131yorsunuz? B\u00f6yle bir \u015feye inanm\u0131yorum ki ben. \u0130slam\u2019\u0131n resme ters bakt\u0131\u011f\u0131 \u015feklinde bir g\u00f6r\u00fc\u015f\u00fcn do\u011frulu\u011funa inanm\u0131yorum zaten ben. Siz bana bir M\u00fcsl\u00fcman olarak nas\u0131l olup da bir resim galerisi i\u015fletti\u011fimi soruyorsunuz. Ben, b\u00f6yle bir sorunun yanl\u0131\u015f oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Bu sorunun bu bi\u00e7imiyle sorulmas\u0131n\u0131 do\u011fru bulmuyorum en ba\u015fta. O zaman ben de size \u015f\u00f6yle bir kar\u015f\u0131 \u00f6rnek verebilirim: Diyelim ki Almanya\u2019da, Budist biri kalk\u0131p bir resim galerisinin i\u015fletmecili\u011fini yap\u0131yor. Bu adama tutup sorar m\u0131s\u0131n\u0131z sen hem Budistsin, hem de tutup bir resim galerisi i\u015fletiyorsun. Bu yanl\u0131\u015f bir \u015fey de\u011fil mi diye? Adam size bunun yanl\u0131\u015f olmad\u0131\u011f\u0131n\u0131, \u00e7\u00fcnk\u00fc resmi bir g\u00fczellik olarak alg\u0131lad\u0131\u011f\u0131n\u0131, yapt\u0131\u011f\u0131 i\u015fi, estetik bir kayg\u0131n\u0131n, g\u00fczelli\u011fe olan ilgisinin bir sonucu olarak yapt\u0131\u011f\u0131n\u0131 s\u00f6ylerse ne dersiniz?…\u201d<\/p>\n

G\u00fczelli\u011fin pe\u015finde olan bir adam Peyami G\u00fcrel. G\u00fczeli, g\u00fczelli\u011fi ar\u0131yor o. T\u0131pk\u0131 \u00f6rnek verdi\u011fi Budist resim tutkunu adam gibi o da bu kez de\u011fi\u015fmi\u015f dinsel kavramlarla, bir M\u00fcsl\u00fcman olarak g\u00fczelli\u011fin pe\u015finde ko\u015fuyor…<\/p>\n

\u00d6nce Marksist, 80\u2019den sonra M\u00fcsl\u00fcman<\/strong><\/p>\n

Bu noktaya kadar nas\u0131l geldi acaba Peyami G\u00fcrel, bir flash-back yapmas\u0131n\u0131 istiyoruz.<\/p>\n

\u00d6nceleri, daha do\u011frusu \u201980 \u00f6ncesi \u0130slamc\u0131 filan de\u011filmi\u015f; Marksistmi\u015f o d\u00f6nemlerde. \u0130deolojik anlamda h\u0131zl\u0131 bir marksist de denebilirmi\u015f hem de o y\u0131llarda. \u201980, bilindi\u011fi gibi, T\u00fcrkiye toplumunun ya\u015famsal, toplumsal, d\u00fc\u015f\u00fcnsel ve ekonomik de\u011ferlerini, dinamiklerini, hatta \u00e7ok genel bir ifadeyle b\u00fct\u00fcn yap\u0131 ta\u015flar\u0131n\u0131 alt \u00fcst eden, inan\u0131lmas\u0131 g\u00fc\u00e7 bir de\u011fi\u015fim ser\u00fcveni ya\u015famas\u0131na zemin haz\u0131rlad\u0131. Bu de\u011fi\u015fim ser\u00fcveninin \u00e7ok \u00f6nemli canl\u0131 \u00f6\u011felerinden biri de Marksistlerdi ve Marksistlerin \u00e7o\u011fu, 80\u2019den sonra kendilerini adeta yeniden ke\u015ffetti. Kimi sosyal demokrat oldu, kimi de \u0130slamc\u0131… Peyami G\u00fcrel\u2019i de i\u015fte bu de\u011fi\u015fimin \u0130slam eksenine oturtmak m\u00fcmk\u00fcn san\u0131yoruz. D\u00f6n\u00fc\u015f ser\u00fcvenini merak ediyoruz. Anlat\u0131yor:<\/p>\n

\u201c O d\u00f6nemlerde de t\u0131pk\u0131 \u015fimdi yine oldu\u011fu gibi zihinsel ba\u011flamda beni en \u00e7ok me\u015fgul eden problem, bilimsel ger\u00e7eklikti. Marksizm\u2019i bilimsel ger\u00e7ekli\u011fe en yak\u0131n d\u00fc\u015f\u00fcnce bi\u00e7imi san\u0131yordum. Ama o zamanlar da M\u00fcsl\u00fcmanlarla diyalo\u011fumu s\u00fcrd\u00fcr\u00fcyordum. Onlarla konu\u015fuyor, tart\u0131\u015f\u0131yordum. Sonra 12 Eyl\u00fcl oldu. 12 Eyl\u00fcl\u2019\u00fcn ard\u0131ndan \u00e7ok yo\u011fun bir okuma, ara\u015ft\u0131rma s\u00fcrecine girdim. 1982 y\u0131l\u0131nda d\u00f6n\u00fc\u015f yapmaya karar verdim ve M\u00fcsl\u00fcman oldum. Lailahailallah… Bu kavram\u0131n ba\u015f\u0131ndaki La \u00e7arpt\u0131 beni zaten. \u0130\u015fte, dedim, arad\u0131\u011f\u0131m bu benim yahu, y\u0131llard\u0131r arad\u0131\u011f\u0131m buymu\u015f benim: La… Tamam, i\u015fte hepsi bu kadar!..\u201d<\/p>\n

\u201cYani pe\u015finde oldu\u011funuz bilimsel ger\u00e7ekli\u011fin k\u00f6kenlerinin sonu\u00e7 olarak \u0130slam\u2019da oldu\u011funa m\u0131 karar verdiniz?\u201d diye soruyoruz. Olduk\u00e7a yal\u0131n bir cevap veriyor G\u00fcrel: \u201cEvet…\u201d<\/p>\n

\u0130lgin\u00e7tir, daha \u00f6nce amat\u00f6r olarak s\u00fcrd\u00fcrd\u00fc\u011f\u00fc resim \u00e7al\u0131\u015fmalar\u0131na, tam da bu noktadan sonra daha yo\u011fun ve bu kez profesyonel olarak ba\u015flam\u0131\u015f. Nas\u0131l oluyor da oluyor?<\/p>\n

Naif tebess\u00fcmlerinden biri daha gelip konuyor y\u00fcz\u00fcne ve Gauloises marka sigara paketinden birini daha \u00e7ekip yakarak bir an\u0131s\u0131n\u0131 anlat\u0131yor bize: \u201cUzun s\u00fcre akademide resim e\u011fitimi g\u00f6ren Marksist bir arkada\u015f\u0131m vard\u0131. O da bir bi\u00e7imde \u0130slam\u2019a d\u00f6n\u00fc\u015f yap\u0131p M\u00fcsl\u00fcman oldu. Bir g\u00fcn geldi bana. Oturup konu\u015furken, sohbet esnas\u0131nda resim \u00e7al\u0131\u015fmalar\u0131n\u0131 nas\u0131l gitti\u011fini sordum. Bana resmi b\u0131rakt\u0131\u011f\u0131n\u0131, \u00e7\u00fcnk\u00fc kendisine \u0130slam\u2019da resmin haram oldu\u011funun s\u00f6ylendi\u011fini belirtti. Bak, dedim, ona, nereden var\u0131yorsun sen bu yarg\u0131ya? Kim s\u00f6yledi sana bunu? Tutup birka\u00e7 ayet-i kerime, birka\u00e7 hadis-i \u015ferif \u00f6rnek verdi. G\u00fcya i\u015fte Peygamber Efendimiz, bir eve gitmi\u015f de, bu evde baz\u0131 i\u015flemeler filan g\u00f6rm\u00fc\u015f de, ev halk\u0131na bu i\u015flemeleri kapatmalar\u0131n\u0131 ya da yok etmelerini s\u00f6ylemi\u015f…<\/p>\n

O zaman dedim hat ya da ebru sanat\u0131 ni\u00e7in haram de\u011fil? \u2018Ama bu Hazreti Ali\u2019den sonra ba\u015flam\u0131\u015f\u2019 dedi. \u2018\u0130lgisi yok\u2019 dedim. Yani Peygamber Efendimiz g\u00fczelli\u011fe kar\u015f\u0131 m\u0131yd\u0131? Resim g\u00fczelliktir, estetiktir. Onun da g\u00fczelli\u011fe, esteti\u011fe kar\u015f\u0131 oldu\u011funu kimse s\u00f6yleyemez herhalde… Asr\u0131- Saadet d\u00f6neminde ya\u015fanan baz\u0131 \u015feyler yanl\u0131\u015f aksetmi\u015f g\u00fcn\u00fcm\u00fcze, hepsi bu… Bir \u015fey g\u00fczel olduktan sonra ve bu g\u00fczelli\u011fe art\u0131 bir de\u011fer kazand\u0131rmak i\u00e7in bir \u00e7aba g\u00f6sterildikten sonra ni\u00e7in problem olsun ki?…\u201d<\/p>\n

\u015eu anda Peyami Sanat Galerisi ad\u0131nda bir galeri sahibi G\u00fcrel. Burada \u00e7e\u015fitli ressamlar \u00e7al\u0131\u015fmalar\u0131n\u0131 sergileyebiliyorlar. Galeride at\u00f6lye \u00e7al\u0131\u015fmalar\u0131 da yap\u0131labiliyor. \u015eu ana kadar Almanya, \u0130svi\u00e7re ve \u0130ngiltere\u2019yi dola\u015fan Peyami Bey\u2019in g\u00fcndeminde Fransa var \u015fimdilerde. Ayn\u0131 zamanda organizasyon \u00e7al\u0131\u015fmalar\u0131 da yapt\u0131\u011f\u0131 i\u00e7in \u0130ngiltere\u2019yle s\u00fcrekli diyalog halinde ve geleneksel T\u00fcrk k\u00fclt\u00fcr ve sanat\u0131n\u0131n n\u00fcvelerini oralara da ta\u015f\u0131mak en b\u00fcy\u00fck dile\u011fi… B\u00f6yle bir \u00e7al\u0131\u015fma, organizasyon tasar\u0131lar\u0131n\u0131n en ba\u015f\u0131nda yer al\u0131yor. \u201c Zaten diyor, Avrupa\u2019ya ancak geleneksel k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn ve sanat\u0131m\u0131z\u0131n \u00fcr\u00fcnlerini g\u00f6t\u00fcr\u00fcrsek bir anlam\u0131 olabilir. Onlar\u0131n yabanc\u0131s\u0131 olmad\u0131\u011f\u0131, hatta yapt\u0131klar\u0131n\u0131n taklitlerini g\u00f6t\u00fcrmemiz bir \u015fey ifade etmez diye d\u00fc\u015f\u00fcn\u00fcyorum… Fakat Anadolu\u2019ya g\u00f6t\u00fcrelim \u0130stanbul\u2019da yap\u0131lan sanat\u0131. Ni\u00e7in hep \u0130stanbul\u2019da yap\u0131ls\u0131n ki sanat; ni\u00e7in bir Diyarbak\u0131rl\u0131 da nasiplenmesin bu g\u00fczellikten?…\u201d<\/p>\n

Asl\u0131nda herkes g\u00fczelin pe\u015finde ona g\u00f6re…<\/h4>\n

Herkes g\u00fczeli, g\u00fczel olan\u0131, g\u00fczelli\u011fi ar\u0131yor asl\u0131nda… Huku\u011fa ayk\u0131r\u0131 olmad\u0131\u011f\u0131 s\u00fcrece sanat ad\u0131na yap\u0131lan her \u015feyin g\u00fczel oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyor. Kendisi de ya\u011fl\u0131 boya resim \u00e7al\u0131\u015f\u0131yor ama yo\u011fun olarak e\u011fildi\u011fi \u00e7al\u0131\u015fmalar aras\u0131nda geleneksel k\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn \u00e7ok \u00f6nemli \u00f6\u011feleri olan ebru, hat, minyat\u00fcr de var. Foto\u011fraf da \u00e7eken G\u00fcrel, halihaz\u0131rda geleneksel k\u00fclt\u00fcre e\u011filen tek tek galeri oldu\u011funa dikkat \u00e7ekiyor Peyami Sanat Galerisi\u2019nin. Kendisi de \u00fcnl\u00fc hat sanat\u00e7\u0131s\u0131 Fuat Ba\u015far\u2019dan icazetli.<\/p>\n

Gerek duyarl\u0131l\u0131k gerek de tarz a\u00e7\u0131lar\u0131ndan \u00f6zel olarak tercih etti\u011fi ressamlar var m\u0131 acaba? Olmaz m\u0131? Say\u0131yor hemen:<\/p>\n

\u201cBa\u015fta Van Gogh… Sonra Dali, Eshell ve Rene Magritte…\u201d Bu galeri, g\u00fczelin pe\u015finde olan, g\u00fczele tutkun olan herkese a\u00e7\u0131k. \u00dcstelik bu galerinin sahibi, bu kayg\u0131lar\u0131 ta\u015f\u0131yan bir adam; bu duyarl\u0131\u011f\u0131, bu inceli\u011fi, bu naifli\u011fi tatmak istemez misiniz? Bu galeriye en az\u0131ndan bu adamla tart\u0131\u015fmak i\u00e7in bile gitmeye de\u011fer san\u0131yoruz…<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

G\u00fczelli\u011fin Pe\u015findeki M\u00fcsl\u00fcman – – – – – – Masas\u0131n\u0131n \u00fczerindeki Gauloises marka sigara paketinden hemen hemen aral\u0131ks\u0131z denebilecek bi\u00e7imde, s\u00fcrekli olarak sigara \u00e7ekip yak\u0131yor. Sakall\u0131, ama al\u0131\u015f\u0131lm\u0131\u015f, basmakal\u0131p fanatik \u0130slamc\u0131 sakal\u0131 de\u011fil bu kesinlikle; sanat\u00e7\u0131 sakal\u0131. B\u00f6ylece belki iki i\u015flevi ayn\u0131 anda yerine getiriyor; hem bir S\u00fcnnet\u2019i uygulam\u0131\u015f oluyor hem de estetik bir r\u00f6tu\u015fu…… Daha fazlas\u0131n\u0131 oku »G\u00fczelli\u011fin Pe\u015findeki M\u00fcsl\u00fcman<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":9967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[136],"tags":[],"class_list":["post-1913","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazete-dergi"],"yoast_head":"\nG\u00fczelli\u011fin Pe\u015findeki M\u00fcsl\u00fcman - Peyami G\u00fcrel<\/title>\n<meta name=\"description\" content=\"G\u00fczelli\u011fin Pe\u015findeki M\u00fcsl\u00fcman. 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