{"id":1980,"date":"1995-08-05T13:05:38","date_gmt":"1995-08-05T10:05:38","guid":{"rendered":"http:\/\/peyamigurel.com\/?p=1980"},"modified":"2017-01-20T20:47:10","modified_gmt":"2017-01-20T18:47:10","slug":"elinin-hamuruyla-ebru-ayse-bohurler-aksiyon-1995","status":"publish","type":"post","link":"https:\/\/peyamigurel.com\/index.php\/elinin-hamuruyla-ebru-ayse-bohurler-aksiyon-1995\/","title":{"rendered":"Elinin Hamuruyla Ebru Aksiyon"},"content":{"rendered":"

Elinin Hamuruyla Ebru<\/strong><\/p>\n

Her ne kadar “a\u015f\u0131k olan er yapar” diye tan\u0131mlansa da art\u0131k pek \u00e7ok hatun ki\u015fi bu eski T\u00fcrk sanat\u0131n\u0131 ya\u015fatmak i\u00e7in u\u011fra\u015f veriyor. K\u0131sa bir d\u00f6nem \u00f6nce unutulmaya y\u00fcz tutmu\u015f geleneksel T\u00fcrk sanatlar\u0131 aras\u0131nda say\u0131lan ebruya, \u00f6zellikle han\u0131mlar\u0131n g\u00f6sterdi\u011fi ilgi, bu alanlarda g\u00f6r\u00fclen canlanmaya b\u00fcy\u00fck katk\u0131lar sa\u011fl\u0131yor.<\/p>\n

Ebru sanat\u0131n\u0131n yan\u0131nda tezhip, hat gibi alanlarda da art\u0131k say\u0131lar\u0131 hi\u00e7 de az\u0131msanmayacak kadar \u00e7ok han\u0131m sanat\u00e7\u0131 var. Bir \u00e7o\u011fu bu alanda \u00e7e\u015fitli vak\u0131f ve kurulu\u015flar\u0131n a\u00e7t\u0131\u011f\u0131 kurslarla i\u015fe ba\u015flam\u0131\u015f. Bu alanlarda say\u0131lar\u0131 \u00e7ok fazla olmayan ustalar\u0131n a\u00e7t\u0131\u011f\u0131 kurslar\u0131n s\u0131k\u0131 bir takip\u00e7isi olmu\u015flar. Sadece bu sanat dallar\u0131n\u0131 \u00f6\u011frenmekle yetinmeyip, emeklerini birle\u015ftirerek at\u00f6lyeler kurmu\u015flar. Bu at\u00f6lyelerde birlikte meydana getirdikleri sanat \u00fcr\u00fcnlerini \u00e7e\u015fitli merkezlerde sergiliyorlar. Mahmure \u00d6z, \u015fema nak\u0131\u015fhanesi bunlardan isim yapm\u0131\u015f ve \u00f6zellikle tezhip alan\u0131nda pek \u00e7ok han\u0131m\u0131n yeti\u015fmesine vesile olan at\u00f6lyelerden.<\/p>\n

Bah\u00e7elievler’de a\u00e7\u0131lan b\u00f6yle bir han\u0131m at\u00f6lyesinin ana u\u011fra\u015f alan\u0131 ise ebru. Di\u011fer T\u00fcrk sanatlar\u0131na da ilgi duyuyorlar, ancak ille de ebru diyorlar. Renklerin c\u00fcmb\u00fc\u015f\u00fc onlar\u0131n kalbini \u00e7elmi\u015f. \u00c7al\u0131\u015fma \u015fartlar\u0131n\u0131 ebruya g\u00f6re d\u00fczenlemi\u015fler. Ancak yine de kap\u0131lar\u0131n\u0131n di\u011fer geleneksel T\u00fcrk sanatlar\u0131n\u0131 \u00e7al\u0131\u015fmak isteyenlere de a\u00e7\u0131k oldu\u011funu s\u00f6yl\u00fcyorlar. Ya\u015f ortalamas\u0131 20-35 aras\u0131nda de\u011fi\u015fiyor. \u00c7o\u011fu evli ve \u00e7ocuk sahibi. Ebruya ilk olarak Peyami G\u00fcrel’in Sanat Galerisi’nde a\u00e7t\u0131\u011f\u0131 kurslarla ba\u015flam\u0131\u015flar. “\u00d6nceleri hobi olarak ilgilendi\u011fimiz ebru zamanla temel u\u011fra\u015flar\u0131m\u0131zdan biri haline geldi” diyorlar. \u015eu andaki eleman say\u0131lar\u0131 ise alt\u0131. Haftan\u0131n herg\u00fcn\u00fc \u00e7al\u0131\u015fmak isteyene at\u00f6lye a\u00e7\u0131k.<\/p>\n

Klasik T\u00fcrk sanatlar\u0131n\u0131n en temel \u00f6zelli\u011finin usta-\u00e7\u0131rak ili\u015fkisi oldu\u011fu bilinir. Ve di\u011fer sanatlardan farkl\u0131 olarak sadece \u00f6\u011fretim de\u011fil, e\u011fitim s\u00f6z konusudur. Bir sanat dal\u0131 \u00f6\u011frenilirken, ruh da e\u011fitilir, sivri \u00f6zellikler t\u00f6rp\u00fclenir. Ebru at\u00f6lyesinin elemanlar\u0131 ustalar\u0131ndan hen\u00fcz icazetlerini almam\u0131\u015flar. Hocalar\u0131 haftada bir at\u00f6lyeye gelerek onlar\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131 denetliyor. K\u0131saca e\u011fitimleri hala s\u00fcr\u00fcyor.<\/p>\n

\u00d6\u011frencileri ile \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda g\u00f6r\u00fcnt\u00fcledi\u011fimiz Peyami G\u00fcrel, han\u0131mlar\u0131n bu sahalara daha \u00e7ok ilgi duydu\u011funu, ancak bu sanat dallar\u0131n\u0131n sadece metodunun \u00f6\u011frenmenin yeterli olmad\u0131\u011f\u0131n\u0131 s\u00f6yleyerek “Ebru ile ilgili \u00e7al\u0131\u015fmalarda, di\u011fer klasik T\u00fcrk sanatlar\u0131nda oldu\u011fu gibi insanlar hayata ili\u015fkin e\u011fitim al\u0131rlar. Ebrunun g\u00fczelli\u011fi esas kay\u0131t \u00e7al\u0131\u015fma ve \u00fcretim safhas\u0131nda gizli” diyor.<\/p>\n

At\u00f6lyenin elemanlar\u0131ndan Fatma \u015ei\u015fman d\u00f6rt \u00e7ocuk annesi. \u00c7ocuklar\u0131n\u0131 da b\u00fcy\u00fctm\u00fc\u015f art\u0131k. \u00dc\u00e7 y\u0131ld\u0131r ebru ile ilgileniyor. Daha \u00f6nce de kuma\u015f boyama ile u\u011fra\u015fm\u0131\u015f. Bir sergi bile d\u00fczenlemi\u015f. ebru at\u00f6lyesi a\u00e7mak da onun fikri. Burada esas olan\u0131n sadece bu methodu \u00f6\u011frenmek olmad\u0131\u011f\u0131n\u0131 s\u00f6yleyerek “Bu i\u015fi yaparken \u00f6\u011frendi\u011fim \u015feylerden en \u00f6nemlisi sab\u0131r” diyor.<\/p>\n

Kevser Metinkale ise bir y\u0131ld\u0131r ebru ile ilgileniyor. “ebru ile hayat\u0131ma renkler girdi. Do\u011fa art\u0131k daha \u00e7ok ilgimi \u00e7ekiyor. Bahardaki renk c\u00fcmb\u00fc\u015f\u00fcn\u00fc seyretmek ayr\u0131 bir haz veriyor” derken, eskisine g\u00f6re daha ho\u015fg\u00f6r\u00fcl\u00fc, daha sab\u0131rl\u0131 ve yumu\u015fak oldu\u011funu bunlar\u0131 da ebru yaparken kazand\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Her \u015feyden zevk almay\u0131 ve baz\u0131 al\u0131\u015fkanl\u0131klar\u0131n\u0131 kontrol edebilmeyi \u00f6\u011frenmek ebrunun ona katt\u0131\u011f\u0131 en de\u011ferli \u015feyler.<\/p>\n

At\u00f6lyede haftada iki g\u00fcn biraraya gelen han\u0131mlar bu u\u011fra\u015f\u0131n ev ya\u015fant\u0131lar\u0131n\u0131 \u00e7ok fazla etkilemedi\u011fini belirtiyorlar. K\u0131sa s\u00fcrede t\u00fcketilen g\u00fcn\u00fcbirlik i\u015fler yerine burada \u00fcr\u00fcnler vermeyi tercih ediyorlar. Ayr\u0131ca bu \u00e7al\u0131\u015fman\u0131n kendilerini zihin olarak \u00e7ok dinlendirdi\u011fini, ortaya \u00e7\u0131kan g\u00fczel \u00fcr\u00fcnlerden ald\u0131klar\u0131 hazz\u0131 ise hi\u00e7bir \u015feyden almad\u0131klar\u0131n\u0131 s\u00f6yl\u00fcyorlar.<\/p>\n

Ebru ger\u00e7ekten g\u00f6r\u00fcn\u00fcrde basit bir i\u015flem. \u0130\u00e7i su dolu bir tekneye f\u0131r\u00e7ayla savrulan boyalar\u0131n geli\u015fig\u00fczel kompozisyonu gibi geliyor insana ilk bak\u0131\u015fta. Ustal\u0131k ise boyalar\u0131n haz\u0131rlanmas\u0131ndan teknelerin haz\u0131rlanmas\u0131na, f\u0131r\u00e7a at\u0131\u015f\u0131na kadar b\u00fct\u00fcn safhalarda ortaya \u00e7\u0131k\u0131yor. Her ebru ustas\u0131n\u0131n eli f\u0131r\u00e7a darbeleri farkl\u0131 ve uzmanlarca tan\u0131n\u0131yor. Peyami G\u00fcrel, bu i\u015fte ustal\u0131\u011f\u0131n boyalar\u0131n haz\u0131rlanmas\u0131nda ve \u00f6zellikle de f\u0131r\u00e7a at\u0131\u015fta gizli oldu\u011funu s\u00f6yl\u00fcyor. el fark\u0131 ebru ka\u011f\u0131d\u0131nda hemen belli ediyor. \u015eu anda say\u0131lar\u0131 onu ge\u00e7meyen ebru ustalar\u0131n\u0131n ise hepsinin f\u0131r\u00e7a at\u0131\u015f\u0131 farkl\u0131.<\/p>\n

Bu i\u015fin eksperleri bir ebru ka\u011f\u0131d\u0131n\u0131n hangi ustaya ait oldu\u011funu desene bakarak anlayabiliyor. Ebrunun en b\u00fcy\u00fck \u00f6zelli\u011fi tekrar edilemeyi\u015fi. Bir desenin benzeri yap\u0131labiliyor, ama ayn\u0131s\u0131 asla. Bu nedenle her elde edilen ebru ka\u011f\u0131d\u0131 sanat eseri de\u011fil, ancak hepsi de kendisine \u00f6zg\u00fc.<\/p>\n

\u0130\u015flem g\u00f6r\u00fcn\u00fcrde basit ancak titizlik istiyor. \u00d6nce odalar veya bir ba\u015fka deyi\u015fle tekneler haz\u0131rlan\u0131yor. Ebru yap\u0131lacak ka\u011f\u0131t olduk\u00e7a \u00f6nemli. Birinci hamur ve 70-100 gr aras\u0131 ka\u011f\u0131tlarda iyi sonu\u00e7lar elde ediliyor.F\u0131r\u00e7alar ille at k\u0131l\u0131ndan ve g\u00fcl dal\u0131ndan olmal\u0131. Bir sonraki a\u015fama ise boyalar\u0131n haz\u0131rlanma a\u015famas\u0131. Ebru i\u00e7in kullan\u0131lacak kitre deilen boyalar baharat\u00e7\u0131dan sat\u0131n al\u0131n\u0131yor. Ancak bunun d\u0131\u015f\u0131nda suda erimeyen ve ya\u011f ihtiva etmeyen b\u00fct\u00fcn boyalar\u0131 ebruda kullanmak m\u00fcmk\u00fcn. Sonra bu boyalar renk renk kar\u0131\u015f\u0131mlar halinde haz\u0131rlan\u0131yor.<\/p>\n

Her boyadan ka\u00e7 tutam olaca\u011f\u0131 ise ustal\u0131\u011f\u0131n s\u0131rlar\u0131ndan. Usta g\u00f6z, k\u0131vam\u0131 kestiriveriyor. sonra da i\u015f f\u0131r\u00e7a darbelerine kal\u0131yor. Bilinen kompozisyonlardan baz\u0131lar\u0131 ise, \u015fal, tarak, hatip, b\u00fclb\u00fcl yuvas\u0131, kumlu akkase, yamuk \u00e7i\u00e7ek gibi isimler alm\u0131\u015f. Hepsini de elde etmenin y\u00f6ntemi ve s\u0131rlar\u0131 var. \u0130\u015flemler s\u0131ras\u0131nda sab\u0131rla s\u0131ray\u0131 g\u00f6zetmek gerekiyor. Aceleyle yap\u0131lan her hareket eserdeki bozukluklara neden oluyor.<\/p>\n

Tekneden al\u0131nd\u0131ktan sonra kurumaya b\u0131rak\u0131lan ebru ka\u011f\u0131d\u0131 ak\u0131l almaz renk kar\u0131\u015f\u0131mlar\u0131 ile sizleri bekliyor. Kimi zaman bu ka\u011f\u0131tlar \u00e7er\u00e7eveleniyor, duvarlar\u0131 s\u00fcsl\u00fcyor, kimi zaman ise \u00fcst\u00fcne s\u00fcl\u00fcs ile yaz\u0131lan bir hat yaz\u0131s\u0131na \u00e7er\u00e7eve ve zemin oluyor. Ondan sonraki i\u015flem ise art\u0131k merakl\u0131lar\u0131n dikkatine…<\/p>\n

Daha \u00e7ok bir T\u00fcrk sanat\u0131 olarak bilinen ebrunun tarihi 10. yy’a kadar uzan\u0131yor. 9-10. yy’dan itibaren T\u00fcrk, \u00c7in, Hint ve \u0130ranl\u0131lar taraf\u0131ndan uygulanm\u0131\u015f. Ancak bu sanat\u0131 zirveye ula\u015ft\u0131ran T\u00fcrkler olmu\u015f. Bu nedenle ebru Avrupa’da T\u00fcrk ka\u011f\u0131d\u0131 olarak tan\u0131nm\u0131\u015f. Belgelenen en eski ebru \u00f6rne\u011fi ise 16. yy’a ait. Ebru ka\u011f\u0131tlar\u0131 o d\u00f6nemin kitap k\u00fclt\u00fcr\u00fc ve yaz\u0131 sanat\u0131n\u0131n etraf\u0131nda s\u00fcsleme unsuru olarak kullan\u0131lm\u0131\u015f. Hani yaz\u0131n\u0131n bir meta olmaktan ziyade bir sorumluluk ve sanat oldu\u011fu d\u00f6nemlerde…<\/p>\n

Han\u0131mlar\u0131n elinde<\/h4>\n

\u015eimdilerde ise bu geleneksel sanat dal\u0131 modern zamanlarda yitip gitmeye direnen zihinlerin hobileri aras\u0131nda. Ge\u00e7mi\u015f zamanlarda daha \u00e7ok er ki\u015filerin u\u011fra\u015f\u0131 olarak addedilse de art\u0131k er ki\u015fiden ziyade hatun ki\u015filer bu i\u015fle daha \u00e7ok ilgileniyor. Kim bilir belki de modern zamanlar\u0131n insan\u0131 yitiren temposuna direnmek gerekti\u011finin de en \u00e7ok fark\u0131nda olanlar onlar…<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Elinin Hamuruyla Ebru Her ne kadar “a\u015f\u0131k olan er yapar” diye tan\u0131mlansa da art\u0131k pek \u00e7ok hatun ki\u015fi bu eski T\u00fcrk sanat\u0131n\u0131 ya\u015fatmak i\u00e7in u\u011fra\u015f veriyor. K\u0131sa bir d\u00f6nem \u00f6nce unutulmaya y\u00fcz tutmu\u015f geleneksel T\u00fcrk sanatlar\u0131 aras\u0131nda say\u0131lan ebruya, \u00f6zellikle han\u0131mlar\u0131n g\u00f6sterdi\u011fi ilgi, bu alanlarda g\u00f6r\u00fclen canlanmaya b\u00fcy\u00fck katk\u0131lar sa\u011fl\u0131yor. Ebru sanat\u0131n\u0131n yan\u0131nda tezhip, hat… Daha fazlas\u0131n\u0131 oku »Elinin Hamuruyla Ebru Aksiyon<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":9941,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[136],"tags":[],"class_list":["post-1980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazete-dergi"],"yoast_head":"\nElinin Hamuruyla Ebru Aksiyon - Peyami G\u00fcrel<\/title>\n<meta name=\"description\" content=\"Elinin Hamuruyla Ebru. 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