{"id":1983,"date":"1995-01-01T13:17:59","date_gmt":"1995-01-01T11:17:59","guid":{"rendered":"http:\/\/peyamigurel.com\/?p=1983"},"modified":"2017-01-20T21:01:15","modified_gmt":"2017-01-20T19:01:15","slug":"marxistti-simdi-musluman-bir-ressam-nehir","status":"publish","type":"post","link":"https:\/\/peyamigurel.com\/index.php\/marxistti-simdi-musluman-bir-ressam-nehir\/","title":{"rendered":"Marxistti \u015eimdi M\u00fcsl\u00fcman bir Ressam"},"content":{"rendered":"

Marxistti \u015eimdi M\u00fcsl\u00fcman bir Ressam<\/strong><\/p>\n

“Hay\u0131r bu sadece bir d\u00f6n\u00fc\u015f\u00fcm de\u011fil. Do\u011fma. Evet. Ben yeniden do\u011fdum. D\u00fcnyaya yeniden geldim…” Peyami G\u00fcrel m\u00fcsl\u00fcman bir kimlik kazanmas\u0131n\u0131n ser\u00fcvenini bu c\u00fcmlelerle \u00f6zetliyordu.<\/p>\n

Peyami G\u00fcrel, bir ressam… Ayn\u0131 zamanda ebru, seramik ve foto\u011frafla ilgili \u00e7al\u0131\u015fmalar yap\u0131yor… Sanat\u00e7\u0131 y\u00f6n\u00fc, ilkokul \u00e7a\u011flar\u0131ndaki kabiliyetlerine dayan\u0131yor. \u0130lk \u00e7izgileri ailesi taraf\u0131ndan “Aaa.. ayn\u0131s\u0131n\u0131 yapt\u0131n..” \u00f6vg\u00fcleriyle kar\u015f\u0131lanm\u0131\u015f. Daha sonra bu kabiliyetine bug\u00fcnden bakt\u0131\u011f\u0131nda s\u0131k\u0131 bir e\u011fitim ald\u0131\u011f\u0131na ald\u0131\u011f\u0131na inand\u0131\u011f\u0131, ortaokul, lise d\u00f6nemi e\u011fitimiyle devam etmi\u015f. Bu e\u011fitimin bug\u00fcnk\u00fc akademilerden daha nitelikli ve hocalar\u0131n\u0131n da \u00e7ok sa\u011flam bir yap\u0131da oldu\u011funu, bilhassa belirtiyor, Peyami Bey… Hocalar\u0131n\u0131 da bu arada sayg\u0131yla anmadan ge\u00e7emiyor.<\/p>\n

Tabii, o d\u00f6nemin politik yakla\u015f\u0131mlar\u0131 paralelinde, uzun s\u00fcre “memleketi kurtarma” harekat\u0131na kat\u0131lm\u0131\u015f. Bu da sanat ya\u015fam\u0131ndan bir d\u00f6nem i\u00e7in uzakla\u015fmas\u0131na neden olmu\u015f… Memleketi kurtarma harekat\u0131n\u0131 tamamlayan Peyami G\u00fcrel, 1986’larda sanat y\u00f6n\u00fcn\u00fcn tekrar depre\u015fti\u011fini ve bug\u00fcne geldi\u011fini s\u00f6yl\u00fcyor.<\/p>\n

Peyami G\u00fcrel’in bir di\u011fer y\u00f6n\u00fc, Peyami Sanat Galerisi’nin kurucusu ve sahibi olmas\u0131. Peyami Bey, bize galeri ile ilgili bilgiler verirken o, sanat\u00e7\u0131 heyecan\u0131n\u0131 ve bir \u015feyler \u00fcretebilmenin sevincini g\u00f6stermeden edemiyor. Peyami Sanat Galerisi, \u00f6zellikle klasik sanatlar\u0131n ve (ebru, hat, seramik, minyat\u00fcr vs.) sanat\u00e7\u0131lar\u0131n nitelikli eserlerini g\u00fcny\u00fcz\u00fcne \u00e7\u0131karmak, kamuoyunun dikkatini bu alana y\u00f6nlendirmek, pazar mekanizmas\u0131n\u0131 geli\u015ftirmek ve organize hale getirmek amac\u0131yla kurulmu\u015f.. Bu noktada Peyami Bey, klasik sanatlar\u0131 \u00e7ok \u00f6nemsiyor. Zira, \u201cYeni bir \u015feyler yapabilmek, klasiklerin iyi bilinmesinden ge\u00e7er.\u201d anlay\u0131\u015f\u0131na sahip. Ayr\u0131ca klasik sanatla u\u011fra\u015fan sanat\u00e7\u0131lar\u0131n sergi bulma ve a\u00e7mada ne gibi zorluklarla kar\u015f\u0131la\u015ft\u0131klar\u0131n\u0131n fark\u0131nda. \u201cDaha \u00f6nce hattatlar, ebrucular do\u011fru d\u00fcr\u00fcst sergi a\u00e7acak yer bulamazlard\u0131. Ya alkol engeli olurdu, ya da bunlar\u0131 sanat kabilinden saymazlard\u0131, sergi sahipleri…\u201d diyor Peyami Bey.<\/p>\n

Peyami Sanat Galerisinin her ay s\u00fcrekli bir sergi a\u00e7ma diye bir endi\u015fesi yok. Bu da galeride sergilenecek eserlerin nitelik ve nicelik y\u00f6n\u00fcnden kimi k\u0131staslara tabi tutulmas\u0131ndan kaynaklan\u0131yor. Peyami Bey, sergilenecek eserlerin se\u00e7iminde bak\u0131n\u0131z nelere dikkat ediyor.<\/p>\n

Klasik sanatlarda, bir sanat\u00e7\u0131 olarak kendini ispat etmi\u015f, alan\u0131nda s\u00f6z sahibi olmu\u015f ki\u015filerin eserleri.
\nKlasik sanatlar\u0131n bilgisini, mant\u0131\u011f\u0131n\u0131 ve esteti\u011fini kavram\u0131\u015f fakat \u00e7ok farkl\u0131 sanat alanlar\u0131nda eserler \u00fcreten sanat\u00e7\u0131lar\u0131n eserleri.
\nPeyami Sanat Galerisinin yapt\u0131\u011f\u0131 i\u015fler t\u00fcm sanat camias\u0131 taraf\u0131ndan yak\u0131ndan izlendi\u011fi ve belli bir misyonu y\u00fcklendi\u011fi i\u00e7in, sanat eserlerinin belli bir kalitenin alt\u0131nda ve misyonun d\u0131\u015f\u0131nda olmamas\u0131 gerekiyor.<\/p>\n

Benim \u00e7ok ilgimi \u00e7eken, hikmeti ve erdemi bulmada bir aray\u0131\u015f i\u00e7erisinde olanlar\u0131n da istifade edebilece\u011fine inand\u0131\u011f\u0131m Peyami Bey’in i\u00e7 d\u00fcnyas\u0131ndan, sanata ve hayata bak\u0131\u015f\u0131ndan bahsetmek istiyorum. Gelin, bu yeniden do\u011fdu\u011funu \u0131srarla vurgulayan g\u00fczel insan\u0131n yolculuk ser\u00fcvenini kendi a\u011fz\u0131ndan dinleyelim.<\/p>\n

\u201c Ben s\u0131k\u0131 bir Marksisttim… (Bir d\u00f6n\u00fc\u015f\u00fcm m\u00fc ge\u00e7irdiniz? diye araya giriyorum. Kendi ser\u00fcvenini net bi\u00e7imde tamamlayabilecek kelimeyi ar\u0131yor… d\u00fc\u015f\u00fcn\u00fcyor. Ve ana fikir, ortaya \u00e7\u0131k\u0131yor…) Benimkisi sadece d\u00f6n\u00fc\u015f\u00fcm de\u011fil.. Yenilenme de de\u011fil.. Do\u011fma… Evet, ben yeniden d\u00fcnyaya geldim… Ben do\u011fdum.\u201d<\/p>\n

\u201c Marksist bir kimlikte iken, insanlar ve toplum ad\u0131na nas\u0131l iyi \u015feyler yapabiliriz, adaleti nas\u0131l tesis ederiz, derdindeydik. Ve bunda da hakikaten \u00e7ok samimiydik. Biz o d\u00f6nem i\u00e7in bu i\u015fin entel tayfas\u0131ndayd\u0131k. M\u00fcsl\u00fcman arkada\u015flara \u015funu derdik: Din, iyi, g\u00fczel bir \u015fey… Ama bunu bilimsel olarak \u00f6n\u00fcm\u00fcze koyun. Biz sizden daha dindar oluruz. Sonralar\u0131 bilimin bilfiil kendisi ile ilgilenmeye ba\u015flad\u0131k. Bilim ne kadar do\u011fru? Yoksa bilim diye bize dayat\u0131lan mutlak do\u011frular da bir felsefe mi? Bu temel sorular\u0131 cesaretle ara\u015ft\u0131rmaya ba\u015flad\u0131k. Ara\u015ft\u0131rmalar\u0131m\u0131z yo\u011fun, s\u0131k\u0131nt\u0131l\u0131 ve tempo i\u00e7inde s\u00fcrerken Cenab-\u0131 Allah \u015f\u00f6yle bir hal verdi: Birg\u00fcn Kelime-i Tevhid’in manas\u0131n\u0131 okuyordum. \u201cLa ilahe illallah\u201da fena tak\u0131ld\u0131m. Sonra, Ya… Peyami sen herhangi bir referans\u0131n sa\u011flaml\u0131\u011f\u0131n\u0131 bo\u015funa ar\u0131yorsun. Kendine hayat\u0131nda referans olarak alabilece\u011fin, sabit ve her \u015feyi onun \u00fczerine \u00f6rebilece\u011fin hi\u00e7bir bilgi bulamazs\u0131n. Unut, sil bunu kafandan. \u201c\u0130llallah\u201d Ooo… Dur dedim bir dakika. Burada bir \u015fey var dedi\u011fimi ve a\u011flad\u0131\u011f\u0131m\u0131 hat\u0131rl\u0131yorum. Hala da a\u011flar\u0131m akl\u0131ma geldik\u00e7e. Bu \u00e7ok deh\u015fet bir \u015fey…\u201d<\/p>\n

Peyami Bey’in yolculuk ser\u00fcvenini anlatmaya ba\u015flamas\u0131 adeta beni bu insana kilitlemi\u015fti. Anlatt\u0131k\u00e7a, hakikaten Peyami Bey’in g\u00f6zlerinin doldu\u011funu ve bu do\u011fumu yeniden ya\u015fad\u0131\u011f\u0131n\u0131 hissettim.
\nDikkatimi \u00e7eken ve beni ziyadesiyle sevindiren bir anekdotu da sizlere aktarmakta fayda g\u00f6r\u00fcyorum. Peyami Bey, m\u00fcsl\u00fcman bir kimlik kazanmas\u0131ndan sonra m\u00fcsl\u00fcmanlardan hi\u00e7bir \u015fekilde \u201cniye resimle u\u011fra\u015f\u0131yorsun?, bu i\u015fleri b\u0131rak…\u201d gibisinden bir tepkiyle kar\u015f\u0131la\u015fmam\u0131\u015f.<\/p>\n

Bak\u0131n\u0131z, Peyami G\u00fcrel’in m\u00fcsl\u00fcman bir \u015fahsiyet olmas\u0131 sanata ve hayata bak\u0131\u015f\u0131n\u0131 nas\u0131l de\u011fi\u015ftirmi\u015f…<\/p>\n

\u201cM\u00fcsl\u00fcman bir \u015fahsiyet kazand\u0131ktan sonra, insan olarak \u00f6n\u00fcnde korkun\u00e7 ve devasa bir ufkun a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fcm. Sadece bu d\u00fcnyay\u0131 alg\u0131lamak ve hissetmekle bitmedi\u011fini, hatta ve hatta bunun merdiven basamaklar\u0131n\u0131n daha ba\u015f\u0131 oldu\u011funu g\u00f6rd\u00fcm. Bir ki\u015finin allaha inanmas\u0131, buna \u015fehadet etmesi ve dinini bilemesikorkun\u00e7 bir ufuk a\u00e7\u0131yor. Bu yolculu\u011fun her bir ad\u0131m\u0131 bir eser… (Bu noktada inan\u00e7l\u0131 olmayanlar derdine yans\u0131n, diye eklemeden ge\u00e7emiyor, Peyami Bey) E\u011fer ki siz, sanat\u0131n\u0131zda halis niyetli iseniz, bu yolculu\u011fa \u00e7\u0131km\u0131\u015fsan\u0131z ve sanat\u0131n\u0131z\u0131 icra ediyorsan\u0131z hi\u00e7bir engel \u00e7\u0131kmaz \u00f6n\u00fcn\u00fcze. Yok, niyetiniz bozuksa \u00f6n\u00fcn\u00fcze engeller \u00e7\u0131kar. \u00c7\u0131kmas\u0131nda da hay\u0131r vard\u0131r.\u201d<\/p>\n

Sohbetimizin ilerleyen b\u00f6l\u00fcmlerinde Peyami Bey’in kamuoyunda \u201cb\u00f6yle sanat\u0131n i\u00e7ine t\u00fck\u00fcr\u00fcr\u00fcm…\u201d tarz\u0131nda tart\u0131\u015fmalar\u0131n yap\u0131ld\u0131\u011f\u0131 ve \u0130slam\u0131n cinsel objeyi nas\u0131l yorumlad\u0131\u011f\u0131 konusundaki sorular\u0131m\u0131za, klasik gazetecilik deyimiyle \u015fok a\u00e7\u0131klamalarda bulundu. Biz de Nehir dergisi olarak, bunu mesleki ahlak ve ki\u015filik haklara sayg\u0131m\u0131zdan \u00f6t\u00fcr\u00fc yay\u0131nlamayaca\u011f\u0131z. Fakat zaman\u0131 geldi\u011finde kar\u015f\u0131l\u0131kl\u0131 dialogla bu tart\u0131\u015fmay\u0131 kamuoyuna getirmeyi d\u00fc\u015f\u00fcn\u00fcyoruz.<\/p>\n

Hayata Bak\u0131\u015f<\/h4>\n

Hayata bak\u0131\u015f\u0131n\u0131 \u015fu c\u00fcmleler ne g\u00fczel anlat\u0131yor, Peyami Bey’in… \u201cSahip oldu\u011fumuz eserler meydana getirdi\u011fimiz \u015feyler ger\u00e7ekten bize ait de\u011fil.Lafola beri gele diye demiyorum. Ger\u00e7ekten bize ait olan \u015feyler de\u011fil. E\u011fer yapt\u0131\u011f\u0131m\u0131z eserlerde bir kalite ve g\u00fczellik varsa bu bir l\u00fctuftur. Bu bir emanettir ve hakk\u0131n\u0131 vermek gerekir. Bu a\u015famada nefsin keyif almas\u0131 normal, fakat buna aldanmamak gerek. Zaten bizim imtihan\u0131m\u0131zda burada. Biz yola \u00e7\u0131kt\u0131k, gidiyoruz veya g\u00f6t\u00fcr\u00fcl\u00fcyoruz. Belki ileride sanat\u0131m\u0131 b\u0131rakmam bile gerekebilir…\u201d<\/p>\n

G\u00fcn\u00fcbirlik tart\u0131\u015fmalar ve k\u0131s\u0131r politik \u00e7eki\u015fmelerle ge\u00e7irdi\u011fimiz \u015fu g\u00fcnlerde b\u00f6ylesine ilgin\u00e7 ve sa\u011flam temelli d\u00fc\u015f\u00fcncelere sahip bir insanla tan\u0131\u015fm\u0131\u015f olmak, ne yalan s\u00f6yleyeyim beni mutlu etti. Ufkumuzun a\u00e7\u0131lmas\u0131nda, i\u00e7 d\u00fcnyam\u0131z\u0131n zenginle\u015fmesinde e\u011fer bu sohbet bir nebze faydal\u0131 olabildiyse, ne mutlu bize…<\/p>\n

Yaz\u0131m\u0131z\u0131 Peyami Bey’in galeri ile ilgili, ileriye d\u00f6n\u00fck sevindirici projeleriyle noktalamak istiyorum.<\/p>\n

\u201cPeyami Sanat Galerisi, hem sanat\u00e7\u0131lar i\u00e7in belirli organizasyonlar\u0131n yap\u0131ld\u0131\u011f\u0131, hem de kuram ve estetikle ilgili teorik \u00e7al\u0131\u015fmalar\u0131n yap\u0131laca\u011f\u0131 bir okul olacakt\u0131r. Ayr\u0131ca sanat\u00e7\u0131 yeti\u015ftirme konusunda bir kurstan ziyade e\u011fitim \u00e7al\u0131\u015fma merkezi misyonu \u00fcstlenecektir.\u201d<\/p>\n

E\u011fer birg\u00fcn yolunuz d\u00fc\u015fer ya da sanatsal etkinlikler izlemek gibi bir tak\u0131m zevkleriniz varsa, Peyami Sanat Galerisi’ne bir u\u011framan\u0131z yararl\u0131 olacakt\u0131r. B\u00f6ylece hem sanat havas\u0131 solumu\u015f, hem de Peyami Bey’le tan\u0131\u015fm\u0131\u015f olursunuz.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Marxistti \u015eimdi M\u00fcsl\u00fcman bir Ressam “Hay\u0131r bu sadece bir d\u00f6n\u00fc\u015f\u00fcm de\u011fil. Do\u011fma. Evet. Ben yeniden do\u011fdum. D\u00fcnyaya yeniden geldim…” Peyami G\u00fcrel m\u00fcsl\u00fcman bir kimlik kazanmas\u0131n\u0131n ser\u00fcvenini bu c\u00fcmlelerle \u00f6zetliyordu. Peyami G\u00fcrel, bir ressam… Ayn\u0131 zamanda ebru, seramik ve foto\u011frafla ilgili \u00e7al\u0131\u015fmalar yap\u0131yor… Sanat\u00e7\u0131 y\u00f6n\u00fc, ilkokul \u00e7a\u011flar\u0131ndaki kabiliyetlerine dayan\u0131yor. \u0130lk \u00e7izgileri ailesi taraf\u0131ndan “Aaa.. ayn\u0131s\u0131n\u0131 yapt\u0131n..”… Daha fazlas\u0131n\u0131 oku »Marxistti \u015eimdi M\u00fcsl\u00fcman bir Ressam<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":9950,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[136],"tags":[],"class_list":["post-1983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazete-dergi"],"yoast_head":"\nMarxistti \u015eimdi M\u00fcsl\u00fcman bir Ressam - Peyami G\u00fcrel<\/title>\n<meta name=\"description\" content=\"Marxistti \u015eimdi M\u00fcsl\u00fcman bir Ressam. 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