{"id":559,"date":"1997-11-23T23:48:45","date_gmt":"1997-11-23T21:48:45","guid":{"rendered":"http:\/\/peyamigurel.com\/?p=559"},"modified":"2017-01-20T20:21:47","modified_gmt":"2017-01-20T18:21:47","slug":"sanatci-hep-yeni-birseyler-soyler-sumeyra-yilmaz","status":"publish","type":"post","link":"https:\/\/peyamigurel.com\/index.php\/sanatci-hep-yeni-birseyler-soyler-sumeyra-yilmaz\/","title":{"rendered":"Sanat\u00e7\u0131 hep yeni bir\u015feyler s\u00f6yler"},"content":{"rendered":"

Sanat\u00e7\u0131 hep yeni bir\u015feyler s\u00f6yler<\/strong> \/ S\u00fcmeyra Y\u0131lmaz
\nSanat \u00f6zellikle de ebru sizin i\u00e7in ne ifade ediyor?<\/p>\n

Sanat, varolma problemidir, g\u00fczellik aray\u0131\u015f\u0131d\u0131r, sezme hadisesidir. Bir \u015feyler anlatmak bir \u015feyler \u00fcretmek, bir \u015feyle hissetmek ve hissettiklerimi yeniden aktarmak, onlar\u0131 kendi s\u00fczgecimden ge\u00e7irip, onlara bir bi\u00e7im vermek ve yeniden olu\u015fturmak bana \u00e7ok b\u00fcy\u00fck bir haz ve heyecan veriyor. Sanat\u00e7\u0131 olarak bilfiil bu aktar\u0131m\u0131, bu heyecan\u0131 bu doyumu ger\u00e7ekle\u015ftirebilme konusunda elimdeki her\u015fey benim i\u00e7in bir ara\u00e7 ve malzeme. Ebru da bu ara\u00e7 ve malzemelerden biri. Bu kalem olur, duvar olur, \u00e7amur olur, ta\u015f olur. Bunlar\u0131n hepsi ara\u00e7lar manzumesi zaten.<\/p>\n

Tarihi geli\u015fimi i\u00e7inde ebruya nas\u0131l bir fonksiyon y\u00fcklenilmi\u015ftir?<\/p>\n

Ebrunun geli\u015fme trendini belirleyen, bunun bir yan sanat olmas\u0131d\u0131r. Esas itibariyle yaz\u0131n\u0131n yan\u0131nda yaz\u0131yla birlikte olu\u015fan, onu g\u00fczelle\u015ftiren bir sanat ebru. Tarih boyunca hemen hemen icra etti\u011fi temel fonksiyon bu. Yaz\u0131 ve ka\u011f\u0131t ba\u011flant\u0131l\u0131 bir sanat.<\/p>\n

En parlak d\u00f6nemini Osmanl\u0131 zaman\u0131nda ya\u015fayan ebru sanat\u0131n\u0131n \u015fimdi T\u00fcrkiye’de de\u011fil Avrupa’da ra\u011fbet g\u00f6rmesini neye ba\u011fl\u0131yorsunuz?<\/p>\n

\u015eu anda Avrupa’n\u0131n itibar etti\u011fi ebru sanat\u0131 Osmanl\u0131 d\u00f6neminde yap\u0131lan ebru sanat\u0131 de\u011fil. Avrupa medeniyetinin, bir \u00f6zelli\u011fi t\u00fcm sanatlara , t\u00fcm de\u011ferlere kendine g\u00f6re yeniden bir anlam ve i\u00e7erik kazand\u0131rmas\u0131d\u0131r. Ebru i\u00e7in de ayn\u0131 durum s\u00f6zkonusu. Ve ona farkl\u0131 birtak\u0131m farkl\u0131 boyutlar eklemeye \u00e7al\u0131\u015ft\u0131. Ama zanaatkarane anlamda yenilikler Avrupa’da da bizde de devam ediyor. Avrupa bize k\u0131yasla sanat a\u00e7\u0131s\u0131ndan ebruya daha fazla itibar ediyor ama kendi sanat birikimine oranla bu ilgi o kdar b\u00fcy\u00fck de\u011fil. B\u00fcy\u00fctmemek gerekir.<\/p>\n

T\u00fcrk ka\u011f\u0131d\u0131 diye bilinen ebru, son y\u0131llarda Avrupa’da \u0130talyan ka\u011f\u0131d\u0131 olarak adland\u0131r\u0131lmaya ba\u015fland\u0131. Bu a\u015famada T\u00fcrk sanat\u00e7\u0131lar\u0131na bu en k\u00f6kl\u00fc sanat\u0131m\u0131za sahiplenilmesi konusunda ne gibi sorumluluklar d\u00fc\u015f\u00fcyor?<\/p>\n

\u0130talyan ka\u011f\u0131d\u0131 olarak an\u0131lmas\u0131 \u00e7ok da b\u00fcy\u00fck bir vak\u0131a de\u011fil. Yurtd\u0131\u015f\u0131ndaki ebrucular\u0131n bir k\u0131sm\u0131yla tan\u0131\u015ft\u0131m. Yurtd\u0131\u015f\u0131ndaki ebrucular bu sanat\u0131n Orta Asya’dan Anadolu ve Avrupa’ya intikal eden bir sanat oldu\u011funun bilincindeler. Ama \u015funu diyebilirim; \u0130talyanlar ya da bir ba\u015fka \u00fclke herhangi bir sanat\u0131 yeniden yorumlay\u0131p, \u00e7ok farkl\u0131 bir \u015fekilde, \u015fu anki hayat tarzlar\u0131na uygun bir hale getirirse, o \u00fclkenin sanat\u0131 olarak an\u0131lmaya ba\u015flar. Bunu T\u00fcrkler yaparsa T\u00fcrk sanat\u0131 olur, \u0130talyanlar yaparsa \u0130talyan sanat\u0131 olarak an\u0131l\u0131r.<\/p>\n

\u00d6zellikle Avrupal\u0131 sanat\u00e7\u0131lar ebruda farkl\u0131 teknikler deneyerek geleneksel kal\u0131plar\u0131 zorluyorlar. T\u00fcrk sanat\u00e7\u0131lar\u0131n\u0131n bu yenilik\u00e7i ak\u0131ma bak\u0131\u015f\u0131 nas\u0131l?<\/p>\n

Bu anlamda iki genel e\u011filim var. Biri muhafazakar e\u011filim, yani de\u011fi\u015ftirilmesini, pratik anlamda geli\u015ftirilmesini yeni denemeler yap\u0131lmas\u0131n\u0131 do\u011fru bulmayanlar, bir de yeni denemeler yapanlar var. Ne gelene\u011fin anlam\u0131 yeterince kavranabiliyor ne de modern olan\u0131n.<\/p>\n

Peki sizce sanatta ve plastik sanatlarda geleneksel kal\u0131plar ve formlar muhafaza m\u0131 edilmeli? Yoksa sanat\u00e7\u0131 s\u00fcrekli yeni bir\u015feyler mi denemeli?<\/p>\n

Evet sanat\u00e7\u0131 s\u00fcrekli yeni bir\u015feyler denemeli. Ancak geleneksel formlar\u0131, kal\u0131plar\u0131, tespitleri iyi bilmeli ve s\u00fcrekli yeni bir\u015feyler denemeli ki sanat\u00e7\u0131 olsun. Denemezse sanat\u00e7\u0131 olmaz zaten, zanaatkar olur, meslek erbab\u0131 olur.<\/p>\n

Ebrunun \u015fu an \u00fclkemizde di\u011fer geleneksel sanatlara g\u00f6re konumu nedir?<\/p>\n

Ebru hat ve tezhibe g\u00f6re daha ileride. Pop\u00fclaritesi daha y\u00fcksek. Pop\u00fcler olma \u015fans\u0131 biraz daha fazla; \u00e7\u00fcnk\u00fc genelde renk ili\u015fkileri hakim oldu\u011fu i\u00e7in daha fazla kitleye hitap etme \u015fans\u0131 buluyor.<\/p>\n

Resimlerinizde farkl\u0131 bir tarz ve \u00fcslup g\u00f6ze \u00e7arp\u0131yor. Bu sentezi olu\u015fturman\u0131zda geleneksel sanatlar\u0131n etkisinden s\u00f6z eder misiniz?<\/p>\n

Klasik ebru yapan bir sanat\u00e7\u0131y\u0131m. Ama esas eksen asl\u0131nda bir \u00fcst dil olan resim dili. Ebru, hat, tezhip formlar\u0131, di\u011fer geleneksel formlar, hepsi bu altyap\u0131y\u0131, arkaplan\u0131, d\u00fc\u015f\u00fcnce yap\u0131s\u0131n\u0131 ve bir \u00fcst dil olan resim dilini olu\u015fturmada benim i\u00e7in bir malzeme. Zaten ebru bir anlat\u0131m arac\u0131 de\u011fil, dekoratif bir ara\u00e7. Besleyen, yard\u0131mc\u0131 olan bir ara\u00e7. Benim anlatmak istedi\u011fim bir\u015feyler var. Heyecan duyan, yapt\u0131\u011f\u0131m i\u015fle doyum hali ya\u015fayan ve sosyal, k\u00fclt\u00fcrel birikimimi, duyu\u015flar\u0131m\u0131 ba\u015fkalar\u0131na aktarmak isteyen birisiyim. Bu aktarma s\u00fcrecinde benim kulland\u0131\u011f\u0131m ana ara\u00e7 resim. Bu \u00fcst dili olu\u015ftururken ana \u00e7er\u00e7eve olarak i\u00e7inde bulundu\u011fum k\u00fclt\u00fcr\u00fcn birikimini bir kere acilen, \u00f6ncelikle kullanmaya ba\u015flamal\u0131y\u0131m. Tabi bu demek de\u011fil ki, Afrika sanat\u0131n\u0131n, Amerikan sanat\u0131n\u0131n, \u00c7in sanat\u0131n\u0131n birtak\u0131m \u00f6\u011felerini bir \u015fey anlat\u0131rken kullanmayaca\u011f\u0131m. Kullanaca\u011f\u0131m ama \u00f6ncelikle bast\u0131\u011f\u0131m toprak, zemin bu k\u00fclt\u00fcr oldu\u011fu i\u00e7in bir kere bu k\u00fclt\u00fcr\u00fcn formlar\u0131n\u0131 ve birikimini \u015f\u00f6yle bir s\u00fczmeliyim. S\u00f6yleyeceklerime oradan ba\u015flamal\u0131y\u0131m. Radyonun frekans\u0131n\u0131 \u00f6nce oraya ayarlamal\u0131y\u0131m. Sonra programlar\u0131 zenginle\u015ftiririm.<\/p>\n

Hatla ebru ili\u015fkisi…<\/p>\n

Hatla ebru birbirine \u00e7ok yak\u0131n. \u0130kisi bir arada varolan sanatlar. Hat merkez, tezhip ve ebru ona yard\u0131mc\u0131 oluyor. Geleneksel sanatlarda ana kurgu b\u00f6yle. Ama bir s\u00f6ylem olu\u015ftururken illa b\u00f6yle olmak zorunda de\u011fil. Birisini daha bask\u0131n hale getirirsiniz, biri onun \u00fcserinde kal\u0131r. Bir sonraki \u00e7al\u0131\u015fmada bir ba\u015fka formu bir ba\u015fka kal\u0131b\u0131, bir ba\u015fka birikimi daha bask\u0131n hale getirebilirsiniz. Bunlar\u0131n hepsi anlatmak istedi\u011finiz \u015feye ba\u011fl\u0131.<\/p>\n

Peyami G\u00fcrel, sanat\u0131n\u0131 ve resmini nas\u0131l tarif ediyor?<\/p>\n

Benim eserlerimin \u00f6zelli\u011fini kendi anlamland\u0131rd\u0131\u011f\u0131m \u015fekilde tarif edebilirim, bu m\u00fcmk\u00fcn. Ama esas bunu tarif edecek olan sanat ele\u015ftirmenleri ve izleyiciler. Bu sanat\u00e7\u0131n\u0131n tarz\u0131, \u00fcslubu \u015f\u00f6yle farkl\u0131 bir yere oturuyor, diyecek olan onlar. Ben kendime g\u00f6re bir yarg\u0131ya sahibim. Oturdu\u011fum yeri de bildi\u011fimi varsay\u0131yorum. Ama bu bilginin kesinle\u015fmi\u015f bir bilgi olu\u015funu sa\u011flayacak olan ba\u015fkalar\u0131 taraf\u0131ndan test edili\u015fi. \u015eu ana kadarki testlerim oturdu\u011fumu varsayd\u0131\u011f\u0131m yerin do\u011fru oldu\u011funu kan\u0131tlad\u0131 ama bu testleri yeterli bulmuyorum.<\/p>\n

Durdu\u011fum yer neresi? D\u00fc\u015f\u00fcnce, sorgulama ve \u00f6zg\u00fcrl\u00fck. S\u00f6ylenmek istenilen belki temel \u015feylerin zeminini ve hal\u0131s\u0131n\u0131 haz\u0131rlayan bu. Dolay\u0131s\u0131yla geleneksel formlar\u0131 da b\u00f6yle bir imbikten ge\u00e7irerek tuvale ya da kartona aktarmak benim g\u00f6revim. Hangi sanatla u\u011fra\u015f\u0131rsa u\u011fra\u015fs\u0131n bir sanat\u00e7\u0131 \u00fczerine oturmu\u015f oldu\u011fu zemini, k\u00fclt\u00fcrel birikimi e\u011fer zihinsel bir imbikten ge\u00e7iremiyorsa bunun anlamlar\u0131n\u0131 ve kullan\u0131\u015f\u0131n\u0131 iyi anlamam\u0131\u015fsa yeni bir\u015feyler de s\u00f6yleyece\u011fi \u015feylerin \u00e7ok kifayetli olaca\u011f\u0131na inanm\u0131yorum. Bu \u00e7ok zor bir i\u015flem oldu\u011fu i\u00e7in \u00fclkemizde -bunu da sayg\u0131yla kar\u015f\u0131l\u0131yorum- bat\u0131 resminin \u00fcslup, y\u00f6ntem ve formlar\u0131n\u0131 kullanarak resim yapma gelene\u011finin yerle\u015fmi\u015f olmas\u0131n\u0131 -yerel malzemeyi kullanamad\u0131klar\u0131 i\u00e7in- bir problem olarak g\u00f6r\u00fcyorum. Bu \u00fclkenin ressam\u0131, m\u00fczisyeni, sanat\u00e7\u0131s\u0131 mevcut tarihsel ve geleneksel birikimini, \u00e7ok iyi kullanmak zorunda.<\/p>\n

Bunu kullanmay\u0131 \u00e7ok iyi becerebildikten ve bu konuda ger\u00e7ekten \u00e7ok ciddi eserler verebildikten sonra b\u00fct\u00fcn k\u00fclt\u00fcrlerin malzemeleri onun i\u00e7in bir ara\u00e7 olma \u00f6zelli\u011fini kazanmaya ba\u015flar. Bunun aksi ise kendi barda\u011f\u0131ndaki suyunu i\u00e7meden ba\u015fkas\u0131n\u0131n barda\u011f\u0131ndaki suya sulanmak gibi bir \u015fey oluyor ve bir sonu\u00e7 vermiyor. Tabiat\u0131yla bazen komik, bazen eklektik oluyor. Yabanc\u0131la\u015fm\u0131\u015f oluyor. Sanat\u00e7\u0131 kendine \u00f6zg\u00fc bir d\u00fcnyada ya\u015far, ama bir toplumda ya\u015far. Be\u011fensin, be\u011fenmesin onlarla birlikte vard\u0131r, onlarla birlikte y\u00fckselir, onlarla birlikte hisseder, onlar\u0131n kayg\u0131lar\u0131n\u0131 duyar, o halde malzemesi buras\u0131d\u0131r. Bu malzemeyi iyi de\u011ferlendirip bitirir, doyar buraya. Kendi k\u00fclt\u00fcr\u00fcne, kendi insanlar\u0131na, onlar\u0131n ac\u0131lar\u0131na, dileklerine, heyecanlar\u0131na doyar ve yeniden bir a\u00e7l\u0131k ba\u015flar. O zaman d\u00fcnya insanlar\u0131n\u0131n da meselelerini, problemlerini ve birikimlerini duymaya ve hissetmeye ba\u015flar. Ama bizde mum dibine \u0131\u015f\u0131k vermez misali bir durum ya\u015fan\u0131yor.<\/p>\n

Sanat, hayat\u0131m\u0131z\u0131n neresinde durmal\u0131d\u0131r sizce?<\/h4>\n

Sanat, varolu\u015fun en \u00f6nemli ara\u00e7lar\u0131ndan biri. Bir \u00e7ok insan sanat\u0131 kendi hayatlar\u0131n\u0131n muhtemel ayr\u0131 bir kategorisi, bir k\u00f6\u015fesi, departman\u0131 olarak g\u00f6r\u00fcyorlar. Ve b\u00f6yle bir departman\u0131, zaman zaman at\u0131l b\u0131rakabilecek engellerle kar\u015f\u0131la\u015fabiliyorlar. Ama \u00f6zellikle gen\u00e7 arkada\u015flar, heyecan duyduklar\u0131, pe\u015finden ger\u00e7ekten gitmeyi arzulad\u0131klar\u0131, kendilerini anlamland\u0131rabileceklerini d\u00fc\u015f\u00fcnd\u00fckleri alanlarda sonuna kadar m\u00fccadele etsinler. Bunu yapmak i\u00e7in her t\u00fcrl\u00fc gayreti g\u00f6stersinler ve vazge\u00e7mesinler. \u00c7\u00fcnk\u00fc insan ancak heyecan duydu\u011fu bir\u015feyi yapt\u0131\u011f\u0131 takdirde kendisiyle ve ba\u015fkalar\u0131yla da bar\u0131\u015f\u0131k olur. Kendi i\u00e7in gerekli olan kal\u0131plar, formlar ancak o zaman anlaml\u0131 hale gelir. Onun d\u0131\u015f\u0131ndaki ezberdir. Ezberlenen bir bilginin, ezberlenen bir davran\u0131\u015f\u0131n insana bir faydas\u0131 yoktur. Tam tersine yabanc\u0131la\u015ft\u0131r\u0131r. Bu \u00fclkede bir \u015fekilde yabanc\u0131la\u015fman\u0131n, kendinden uzakla\u015fman\u0131n hatta hatta kendi d\u00fc\u015f\u00fcncelerinden, e\u011filimlerinden uzakla\u015fmalar\u0131n \u00f6n\u00fcne ge\u00e7ilmesi gerekiyor. Bunun en \u00f6nemli ara\u00e7lar\u0131ndan ve yollar\u0131ndan biri de sanatt\u0131r.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Sanat\u00e7\u0131 hep yeni bir\u015feyler s\u00f6yler \/ S\u00fcmeyra Y\u0131lmaz Sanat \u00f6zellikle de ebru sizin i\u00e7in ne ifade ediyor? Sanat, varolma problemidir, g\u00fczellik aray\u0131\u015f\u0131d\u0131r, sezme hadisesidir. Bir \u015feyler anlatmak bir \u015feyler \u00fcretmek, bir \u015feyle hissetmek ve hissettiklerimi yeniden aktarmak, onlar\u0131 kendi s\u00fczgecimden ge\u00e7irip, onlara bir bi\u00e7im vermek ve yeniden olu\u015fturmak bana \u00e7ok b\u00fcy\u00fck bir haz ve heyecan… Daha fazlas\u0131n\u0131 oku »Sanat\u00e7\u0131 hep yeni bir\u015feyler s\u00f6yler<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":9925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[136],"tags":[],"class_list":["post-559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gazete-dergi"],"yoast_head":"\nSanat\u00e7\u0131 hep yeni bir\u015feyler s\u00f6yler - Peyami G\u00fcrel<\/title>\n<meta name=\"description\" content=\"Sanat\u00e7\u0131 hep yeni bir\u015feyler s\u00f6yler. 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