{"id":579,"date":"2000-02-14T15:39:22","date_gmt":"2000-02-14T13:39:22","guid":{"rendered":"http:\/\/peyamigurel.com\/?p=579"},"modified":"2017-01-20T20:08:43","modified_gmt":"2017-01-20T18:08:43","slug":"ebrudan-modern-resme-besir-ayvazoglu","status":"publish","type":"post","link":"https:\/\/peyamigurel.com\/index.php\/ebrudan-modern-resme-besir-ayvazoglu\/","title":{"rendered":"Ebrudan Modern Resme Zaman Gazetesi"},"content":{"rendered":"

Ebrudan Modern Resme<\/strong> \/ Be\u015fir Ayvazo\u011flu<\/p>\n

– –<\/p>\n

Peyami G\u00fcrel’in Cemal Re\u015fit Rey Konser Salonu Fuayesi’nde sergilenen resimlerini g\u00f6rd\u00fcn\u00fcz m\u00fc? A\u015fa\u011f\u0131 yukar\u0131 d\u00f6rt y\u0131l aradan sonra yepyeni bir anlay\u0131\u015fla kar\u015f\u0131m\u0131za \u00e7\u0131kan de\u011ferli sanatk\u00e2r, y\u0131llarca emek verdi\u011fi ebru sanat\u0131ndan modern resme yumu\u015fak bir ge\u00e7i\u015f yaparak yeni ifade yollar\u0131 aramaya ba\u015flad\u0131. Taksim Sanat Galerisi’nde 1996 May\u0131s’\u0131nda a\u00e7t\u0131\u011f\u0131 bir \u00f6nceki sergisinde ebrunun s\u0131n\u0131rlar\u0131n\u0131 zorlayan denemelerle dikkatimizi \u00e7ekmi\u015fti. O zaman yazd\u0131\u011f\u0131m ele\u015ftiride, Peyami’nin farkl\u0131 (hatta yer yer frapan) denemelerine ra\u011fmen gelene\u011fin i\u00e7inde kalmay\u0131 ba\u015fard\u0131\u011f\u0131n\u0131, bu ba\u015far\u0131s\u0131nda modern resim hakk\u0131ndaki geni\u015f bilgisinin de \u00f6nemli bir paya sahip oldu\u011funu belirtmi\u015ftim. Yeni sergisindeki resimler, Peyami’nin bir \u00f6nceki sergisinde ortaya \u00e7\u0131kan baz\u0131 e\u011filimlerinin derinle\u015fti\u011fini ve \u00f6n plana \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Daha \u00f6nce modern resmin imk\u00e2nlar\u0131n\u0131 ebruda kullanmaya \u00e7al\u0131\u015fan Peyami’nin \u015fimdi ebrunun imk\u00e2nlar\u0131n\u0131 modern resme ta\u015f\u0131d\u0131\u011f\u0131 s\u00f6ylenebilir.<\/p>\n

Peyami G\u00fcrel, yeni resimlerinde, son derece ekonomik kullanarak pastel renklerin i\u00e7inde eritti\u011fi, \u00e7ivi yaz\u0131s\u0131, kufi yaz\u0131, usturlab, baz\u0131 minyat\u00fcrlerden ufak detaylar ve geometrik tezyinat gibi fig\u00fcratif unsurlarla medeniyetlerin olu\u015fumunu anlat\u0131yor. Bu resimlere bakarken, insanl\u0131\u011f\u0131n ya\u015fad\u0131\u011f\u0131 b\u00fcy\u00fck ve esrarl\u0131 maceray\u0131, ge\u00e7mi\u015fe do\u011fru, bir t\u00fcl perde arkas\u0131ndan seyrediyormu\u015f gibi duyguya kap\u0131l\u0131yorsunuz. Ancak biraz yo\u011funla\u015ft\u0131\u011f\u0131n\u0131z zaman Peyami’nin, ebrudan gelen bir al\u0131\u015fkanl\u0131k ve ak\u0131\u015fkanl\u0131kla, e\u015fyan\u0131n arka plan\u0131na ge\u00e7mek i\u00e7in \u00e7abalad\u0131\u011f\u0131n\u0131 fark ediyorsunuz. Bu y\u00f6n\u00fcyle onun sanat\u0131n\u0131n rahmetli Erol Akyava\u015f’\u0131n sanat\u0131yla belli belirsiz bir akrabal\u0131k ta\u015f\u0131d\u0131\u011f\u0131 da s\u00f6ylenebilir.<\/p>\n

Resim merakl\u0131lar\u0131, yollar\u0131n\u0131 Cemal Re\u015fit Rey Konser Salonu’na bir \u015fekilde d\u00fc\u015f\u00fcr\u00fcp Peyami G\u00fcrel’in son resimlerini g\u00f6rmeliler. Biraz acele etsinler, \u00e7\u00fcnk\u00fc yar\u0131n son g\u00fcn.<\/p>\n

Peyami G\u00fcrel, modern resme yumu\u015fak bir ge\u00e7i\u015f yaparken ebru sanat\u0131n\u0131n \u00f6nemli ba\u015fka bir ismi Hikmet Barut\u00e7ugil, \u0130hsaniye’deki Ebristan’da, yani ebru evinde bu sanat\u0131 g\u00fcnl\u00fck hayat\u0131m\u0131za mal etmek i\u00e7in ola\u011fan\u00fcst\u00fc bir gayret g\u00f6steriyor. Bu arada “Renklerin Sonsuzlu\u011fu \/ Infinity of Colours” adl\u0131 bir ebru kitab\u0131 \u00e7\u0131karan Barut\u00e7ugil de, Peyami G\u00fcrel gibi, bu kadim sanat\u0131n imkanlar\u0131n\u0131 geni\u015fleterek yeni ufuklara a\u00e7\u0131lmak isteyen bir sanatk\u00e2rd\u0131r.<\/p>\n

Ya\u015far E\u011fitim ve K\u00fclt\u00fcr Vakf\u0131n\u0131n katk\u0131lar\u0131yla T\u00fcrk\u00e7e\u2014\u0130ngilizce olarak yay\u0131mlanan “Renklerin Sonsuzlu\u011fu”, ebru sanat\u0131n\u0131n tarihinden tekni\u011fine kadar b\u00fct\u00fcn y\u00f6nleriyle anlat\u0131ld\u0131\u011f\u0131, i\u00e7 d\u00fczeni, k\u00e2\u011f\u0131d\u0131 ve bask\u0131s\u0131yla da g\u00f6z dolduran bir kitap. Annemarie Schimmel, bu kitap i\u00e7in kaleme ald\u0131\u011f\u0131 k\u0131sa takdim yaz\u0131s\u0131nda ebru sanat\u0131n\u0131 tasavvuf\u00ee istilahlar\u0131 kullanarak \u015f\u00f6yle anlat\u0131yor:<\/p>\n

“Ebrucu g\u00fcya \u00e2lem-i misalde mahf\u00ee olan \u015fekilleri \u00e2lem-i \u015feh\u00e2dete getirip bize g\u00f6steriyor; semav\u00ee bah\u00e7elerde b\u00fcy\u00fcyen g\u00fcllerle l\u00e2leleri mucizev\u00ee kuvvetiyle en-cazip \u00feekillerde k\u00e2\u011f\u0131d\u0131n sath\u0131na garsediyor.”<\/p>\n

“Renklerin Sonsuzlu\u011fu” \u00e7ok say\u0131da foto\u011fraf ve \u00e7izimle, ayr\u0131ca sonuna eklenen orijinal ebru \u00f6rnekleriyle \u00e7ok \u00f6zel bir kitap haline getirilmi\u015f. Evet \u00f6zel bir kitap. Merakl\u0131lar\u0131na duyururum; ama do\u011frusu nas\u0131l temin edebilecekleri hakk\u0131nda hi\u00e7bir fikrim yok.<\/p>\n

Yeri gelmi\u015fken Turan M. T\u00fcrkmeno\u011flu’nun “Sudaki Nak\u0131\u015f \/ Marbling Paper” adl\u0131 ebru kitab\u0131ndan da s\u00f6z etmeliyim. Mustafa D\u00fczg\u00fcnman ekol\u00fcnden bir ebrucu olan T\u00fcrkmeno\u011flu’nun as\u0131l mesle\u011fi sahhafl\u0131kt\u0131r. Sahhaflar \u00c7ar\u015f\u0131s\u0131na yolu d\u00fc\u015fen kitap kurtlar\u0131 ve klasik sanatlar\u0131m\u0131z\u0131n merakl\u0131lar\u0131 ona, yani Turan Kitabevi’ne u\u011framadan edemezler.<\/p>\n

Sudaki Nak\u0131\u015f<\/h4>\n

T\u00fcrkmeno\u011flu dostumuzun kurdu\u011fu Milenyum Yay\u0131nlar\u0131’n\u0131n ilk kitab\u0131 olan “Sudaki Nak\u0131\u015f”, ebrunun tarihi ve tekni\u011fi hakk\u0131nda \u00f6zl\u00fc bilgilerin yer ald\u0131\u011f\u0131, \u00e7izimlerle ye renkli resimlerle bezenmi\u015f g\u00fczel bir kitap. En \u00f6nemli \u00f6zelli\u011fi ise, zengin bibliyografyas\u0131. Yerli ve yabanc\u0131, 725 kitap ve makalenin k\u00fcnyesini ihtiva eden bu bibliyografya, ebru konusunda ara\u00fet\u0131rma yapmak isteyenlerin i\u015fine \u00e7ok yarayacakt\u0131r. Kitapta ayr\u0131ca ebru koleksiyonu yapan ki\u015fi ve kurulu\u015flar hakk\u0131nda geni\u015f bilgi var. Merakl\u0131lar “Turan Kitabevi, Sahaflar \u00c7ar\u015f\u0131s\u0131, No: 39, Beyaz\u0131t \/ \u0130stanbul (Tel: 0212\u2014522 15 53)” adresine yazarak temin edebilirler.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ebrudan Modern Resme \/ Be\u015fir Ayvazo\u011flu – – Peyami G\u00fcrel’in Cemal Re\u015fit Rey Konser Salonu Fuayesi’nde sergilenen resimlerini g\u00f6rd\u00fcn\u00fcz m\u00fc? A\u015fa\u011f\u0131 yukar\u0131 d\u00f6rt y\u0131l aradan sonra yepyeni bir anlay\u0131\u015fla kar\u015f\u0131m\u0131za \u00e7\u0131kan de\u011ferli sanatk\u00e2r, y\u0131llarca emek verdi\u011fi ebru sanat\u0131ndan modern resme yumu\u015fak bir ge\u00e7i\u015f yaparak yeni ifade yollar\u0131 aramaya ba\u015flad\u0131. Taksim Sanat Galerisi’nde 1996 May\u0131s’\u0131nda a\u00e7t\u0131\u011f\u0131… Daha fazlas\u0131n\u0131 oku »Ebrudan Modern Resme Zaman Gazetesi<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":9918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[270,136],"tags":[],"class_list":["post-579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2000-crr-sergisi","category-gazete-dergi"],"yoast_head":"\nEbrudan Modern Resme Zaman Gazetesi - Peyami G\u00fcrel<\/title>\n<meta name=\"description\" content=\"Ebrudan Modern Resme, Be\u015fir Ayvazo\u011flu. 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